Biography

Lê Tường-Phi (Sophie) grew up in Alief, Texas, a vibrant immigrant community on the southwest side of Houston. She began her creative career as a writer, producing both journalistic stories for the Kerronicle, an award-winning student publication, and short fiction that appeared in literary magazines such as TeenInk, Skipping Stones, and Cicada. Her work drew not only on her experiences as a daughter of Vietnamese refugees, but also her volunteer work as an ESL and Vietnamese teacher trying to bridge the language barrier between diasporic generations—perspectives which continue to inform her art today.

After graduating with two Bachelor of Arts degrees (economics, environmental sustainability) and a new language (Arabic) from the University of Oklahoma, Le briefly worked as a GIS cartographer in Tulsa, Oklahoma before moving home to Houston in 2019 to become a data integrator and eventually a software engineer. In 2022, she transitioned from a mainly digital art practice to working with more traditional media, including acrylic and oil painting, embossed metal, and fiber. Le’s current specialties include live traditional portraiture, plein air landscapes, and hand embroidery, most of which she does entirely freehand.

In 2023, Le became a member of the Visual Arts Alliance (VAA) and began exhibiting in curated shows at Hardy and Nance Studios in Houston, Texas. Recently, her work has appeared in group exhibitions mounted by the VAA, the Portrait Society of America, and the Texas chapter of the Women’s Caucus of Art (WCA). She is also a two-time exhibitor in Drawn From Life, a group exhibition showcasing works created in or inspired by the weekly life-drawing sessions at Houston’s Archway Gallery.

Artist Statement

I make art to create opportunities for empathy. Through immersive figurative artwork backed by both extensive research and my own lived experience as a queer woman of color, I tell stories from the perspectives of the often-overlooked, be they people (women, immigrants, the queer community, etc.) mainly acknowledged in history for their struggles, or ordinary objects whose ubiquity or unsightliness make them mundane. By bringing these taken-for-granted realities to the fore and juxtaposing them against conventional cultural expectations—about body image, historicity, and femininity in art, among other things—I invite my audience to question those expectations and to celebrate the worth inherent in all things and people.

Artist CV